这批综合材料作品，表现的是我们这个时代人们异化的生存状态。这是个每天都让人不知所措的世界，我们总是在问“这个人怎么了？”、“这个世界怎么了？”，我们到底要何做何为呢？创作这些作品时我较少进行细节描绘，皆以写意性的用笔表现年青人的慵懒散漫和空虚无聊，精神与面色一样苍白的生活情状，用自己的直观方式凸显现代人心理和精神状态的焦虑与茫然。

我认为艺术所要展示的可以是作者对生活对社会提出的疑问，也是作者向观者展现自己对个体生存的感悟，观者通过作品或许看到了自己的感受和困惑，可能与作者的感知相左，或者完全是一种误读，恰如这些由媒介稀释的奇怪的人们，生命充满了偶然和荒诞，但我想这就是绘画艺术的魅力之所在，每个人都在自说自画，当面对艺术作品那一刻都遭遇了另一个自己。

These mixed-midea material works of art are expressing the catabolic living conditions of our current era. This is a world at loss, we always ask“what’s wrong with this person？”、“what’s going on with the world?” and what we really need to do? We describe less about details when we are creating these works. With freehand brushwork, we express the life of the young people which are sluggish, loose, vanity and with barren spiritual like their pale complexions. We emphasize the anxious and ignorant mental and spirit of modernists through direct view.

In my opinion, the works of art reveal the questions of life and society and show artists’ inspiration gained through survival. Spectators can find out their feelings and confusion with the works. Those feelings are maybe opposite to the artists’ or totally misreading if their lives are full of coincidence and preposterous by the media. However, those are charm of art because everybody leads their own arts but encounter the other side of them facing with the works of art.