「人可以无忧无虑的死去，只要他们知道，他们所爱的东西没有遭受痛苦和被人忘却。」
——Herbert Marcuse，《爱慾与文明》

「若丝计画」是王俊杰继2009年获台新艺术奖视觉艺术类百万大奖作品《大卫计画第三部：大卫天堂》后，开始进行的最新系列创作。它涵盖了高画质录像、摄影及复合媒体装置等多重表现形式。《若丝计画：爱与死》，挪用了杜象《给予》一作的隐晦意象，除了将它动态影像化与延伸想像之外，还探究了叙事与视点的议题，在窥孔内外潜行的慾望，指涉了爱慾与文明的关係。被压抑的爱慾正如同被异质化的文明，艺术的位置在其间也更趋模糊。艺术在当代社会中是否真的可能得到解脱而免受压抑？通过对当代艺术先知杜象的再詮释，「若丝计画」是向冷漠致敬的系列之作，它一方面思考著艺术存在的本质，另一方面，也试图回应当代复杂化社会下人们生存环境的虚幻性。

"Men can die without anxiety if they know that what they love is protected from misery and oblivion."
－Herbert Marcuse，Eros and Civilization

Project Rrose was Jun-Jieh Wang's following art work after the 2009 Taishin Arts Awards Project David III: David's Paradise, the start of the latest series of creation. It covers the HD video, photography and mixed-media devices, such as multiple manifestations. Love & Death, appropriates obscure visual elements from Marcel Duchamp work "Given". In addition to extension of its dynamic image of the imagination, but also to explore the issues of narrative and point of view. The desire to sneak inside and outside of the peephole, owes much to eros and civilization. Where the role of Art is located within an increasingly heterogeneous society becomes ambiguous, as it is ambiguous in the repression of Eros. Through the re-interpretation of Duchamp, Project Rrose is a series of work that pays homage to indifference, which essences of the art thinking, on the other hand, have tried to be on behalf of the people living under complex society illusion of the environment.