《狂欢—冯硕作品展》是M艺术空间2011年非常重要的一个展览。作为曾与美国顶级画廊Marlborough Gallery继朱德群、赵无极、陈逸飞后签约的第四位华人艺术家,冯硕带来了他近年的力作。

“狂欢”是国际著名艺术批评家Tony Godfrey对冯硕绘画内涵与外延精准的阐述。在冯硕的作品中，没有人需要带动物的面具，这里动物本身在扮演着人类。很显然，冯硕用颜料给我们塑造了一个奇异的世界，用他独特的方式给我们讲着一个又一个的寓言，一个狂欢的世界。

看冯硕的画也象是坐在被冰封了车窗的火车里朝外看风景，我们得使劲地把车窗上的冰霜抹掉才能朝外窥视。抹去擦掉后再现的是我们这个世界之外的世界，一个我们都属于的世界，只是我们对它的了解支离破碎，它在我们的意识中时隐时现。

无疑，走进这个展览我们会观看到一个冯硕所制造出来的假想世界，而要想走进这个世界，搞懂这个世界，我们必须透过画的表面，从冯硕绘画的独特方法进入其中。

< CARNIVALESQUE—FENG SHUO'S SOLO EXHIBITION > is a very important exhibition for M Art Center in 2011.As the 4th chinese artist signed by the top American gallery Marlborough Gallery after Zhao Wu Ji , Zhu De Qun , Chen Yi Fei , Feng Shuo bring us his new works to Shanghai.

"Carnivalesque" is an exact description of  the sprit of Feng Shuo's art works by Internationally renowned art critic Tony Godfrey.In Feng Shuo's art works,nobody needs to wear masks,the animals miraculously become people. Obviously,he create a fantastic world with colors,and use his special way to tell us one fable after another,a world of carnival.

“It is like being in a train with misted up windows that one has to rub with one's sleeve to see out of. One rubs away to let the image appear, giving one a glimpse of some strange scene that has so far gone on unseen. It is a world outside our world yet one belonging to it - we see it only indistinctly and in fragmented form. ”