“艺术作品应当超越个人生活的天地、直面诗人的精神与内心深处，如同人直面人类的精神与内心。”

——荣格

身体是最容易被忽略的泄密者。尹朝辉的作品则通过艺术的形式为我们阐释了身体与灵魂矛盾又依赖的纠缠联系。他将身体的局部放大，使其抽离整体而以独立的姿态聚焦于画面之中。手指的交缠成为窥视内心的一扇窗口；在近乎透明的皮肤包裹下，澎湃而不可告人的欲望正如暗流般涌动。只是，由于人类所具有的社会性，使我们早已习惯了掩饰自己的真实欲望，或者是将其由原始的冲动演化到较为“文明”的状态。在每一个似是而非的笑容背后，有着怎样的孤独与焦灼？正如这通透肌肤包裹下澎湃流淌的血液，由于外表的平静而得到了巧妙的伪装。

“What is essential in a work of art is that it should rise far above the realm of personal life and speak to the spirit and heart of the poet as man to the spirit and heart of mankind.”

——Carl Custav Jung

The body blows the gaff easily. Yin zhaohui’s work shows the conflict and dependence between body and soul. The details of body have been enlarged in his work and become independent in the frame. The superposition of fingers opens a window into the spirits. Under the almost transparent skin, violent and secret desires are surging. People have to obey the rules of the society, oppress the true desires and civilize the expression of them. Behind every smile are the loneliness and anxiety, just like the blood under the camouflage of the skin.