继“管子——孙轶个展”之后，艺·凯旋艺术空间即将再次展出“向上和向下——孙轶作品展”。本次展览将全面展出孙轶自2007年以来的油画和部分钢笔作品，数幅作品将向观者展示孙轶作品中的新世界，透过作品我们将感受到孙轶对社会和人文的关注以及他美好和谐的画面下存在的互为对立的矛盾空间。
    
在孙轶的作品中，倾斜的高楼、漂浮的城堡、暧昧的番茄、冷酷的老K、性感的女王…….这些看似毫无相干的事物被置于画面中，营造出一个华丽到惶恐的场景。在看似极为美好和谐的画面下充斥着诸多暴力、危机、情色、以及权力的隐喻元素。他通过明快的色调和卡通形象，巧妙的将他心中对这个“美好世界”的不安、迷茫、对抗等情绪散落在画面中。然而他的这种不满并不会强加给观者，而是通过这些矛盾元素的对抗增加了画面的张力，在符合当下审美态度的同时也与观者产生了心理交汇。

伴随着80年代中国与国外的不断接轨，孙轶作为改革开放后成长起来的第一代人，有机会接受国外文学思潮和艺术潮流，这些汇集着无数主义和流派的“现代派”给他的创作提供了新思路和诸多可能性，但同时面对突然间庞杂的世界，他内心深处也伴随着产生了无限的困惑与抵触。无疑，这些矛盾与对立都在不经意间流露在他的画面中，使画面本身具有了双向化的对抗感以及互为对立的矛盾空间，成为孙轶作品中那向上和向下的两种力。

After the solo show of Sun Yi - Tube in 2007, Triumph Art Space will launch Su Yi's second solo show - Up and Down which will show his oil paintings and sketches since 2007 to give the viewers a chance to enter his new world. Through these works, we will feel the artist's concern to society and humanity and the harmonious world of confrontation behind his paintings.

Sun Yi doesn't ignore any space in his paintings. He puts many things which are seemingly totally irrelevant to each other to surprise his viewers. Inclined buildings, floating castles, ambiguous tomatoes, poker face kings, sexy queens, and the dynamic background of clouds(maybe smoke?), are all related to each other under Sun Yi's brush.With bright colors and cartoon characters, Sun Yi dots his paintings with his melancholy. He does not want to impose this kind of attitude to the viewers, but to enhance the tension of his paintings by adding conflicts, so as to be compatible with universal standard of beauty to share his feelings with the viewers.

Sun Yi is a member of the first generation after reform and open policy. With the internationalization of China during 1980s, many foreign literature and art trends gave artists new ideas. Numberless -ism and trends which was co-called "modernism", like a fast-moving river, left its trace in the after 80s generation's life. From single to multiple, the sudden confrontation with a new complex world, for the generation who grew up in it, though supplied with various possibilities, they also had many sorrows and confusions. Just like the upward and downward force in Sun Yi's painting, tearing the canvas into two pieces tending to two extreme.