曙光别墅是ALEXANDER OCHS画廊北京空间为1982年出生的中国艺术家吕松举办的第二次个展。

吕松毕业于英国Wolver-Hampton大学及伦敦Wimbledon艺术学院：这一留学经历造就了他跨越东西方两种文化的社会定位。对其艺术创作的影响则体现在更深入的技法渗透性，和绘画形式上不同于中国艺术主流中"表面观念"的混合性。

他的作品针对的是都市环境中人与自然的关系。这一紧张关系中的种种矛盾，企图从都市陷阱中逃离的个体情感，都是他探讨的对象。同时，与城市同生共存的关系是不可避免的，人类必须在城市中消磨时光。寂寞与忧郁是艺术家笔下人物的共性，神秘与宿命的氛围弥漫其中。

吕松一贯抵制中国艺术中常见的完美主义，他将油画与炭笔，纸上与布上结合在一起。艺术家自承其创作观念的一部分便是允许油彩与炭笔线条的融合，允许绘画过程中的巧合与意外。有鉴于此，吕松的绘画作品不仅是对自然的描绘，也是自然的一部分。

With VILLA DAWN, ALEXANDER OCHS GALLERIES BERLIN I BEIJING presents the second solo exhibition of the 1982 born artist, Lu Song. Lu Song studied at the University of Wolver-Hampton / UK, as well as at the Wimbledon College of Art in London / UK: through this, he was socialized somewhere between both worlds. This influenced the development of his paintings that have a great technical permeability, a hybrid form of painting that differs from the 'surface-concepts' of the Chinese mainstream. Of course, the artist has remained committed to Chinese subject matter as the subject of his work and formulates a Chinese feeling.

His work focuses on nature and human nature in the context of the big city. Lu explores the contradictions that arise within this tense relationship; the individual feels trapped in the city and wants to escape it. At the same time, living in and with the city seems inevitable, one needs to spend time with it. Loneliness and melancholy meet in the figures of the artist and merge into a mysterious and fatalistic aura.

Lu Song resists the usual perfectionism in China, as he combines oil paint with charcoal on paper and canvas. As he explains, he lets his applications of paint melt together, allowing the developing coincidences, as well as the unplanned accidents, become a part of the concept. Through this, his paintings are not only about nature, they are also a part of nature.