在那些内心独白的时刻，他们并没有鲁莽的、无序的诳语，而是陷入一种悠远的挽歌式的表述之中。人们不禁要去想像：那些也许是无意识的画面储存是何时何地发生的，它们与什么相关。

两位年轻艺术家的拍摄不论是导演了前期，亦或是技术性的控制了过程，最终呈现出的画面里那些被重复的偶然性与隐蔽的意义，无疑填补了我们过去以及现在心灵图卷的记忆空白，并赋予魂牵梦绕的神话以可能性的机会。他们用视觉的手段，至真而纯粹地给了这个时代一个承诺，让我们重新审视人与自然和我们与这个时代的关系。这个承诺意义深远。

Those monologues were not lies, nor absurd illusions. But rather, they were like a kind of elegy sounded from afar. Viewers thus cannot help but wonder: where and when did those seemingly-casual scenes take place? And what are they suggesting?

Either by designing beforehand, or by using technology during the shooting, the two young artists gave meaning to the repetition of chance and hiding. Their works, therefore, have filled the emptiness of people's souls, and made myths something within reach. By means of visual art, the artists made a commitment to this era in the simplest and most sincere way, a commitment of enabling people to re-examine the relationships between human and the nature, and between human and the era. This commitment has far-reaching significance.