站台中国香港空间的首展将由贾蔼力的项目《哈利路亚》揭开序幕。这个展览结合了贾蔼力的绘画与装置，展现出他独特的美学视点。

作为新一代的杰出年轻艺术家，贾蔼力通过他精湛的绘画创造力和由绘画延展而出的其他媒介的艺术实践，不断地质疑以及探究人类社会及个体有关物质存在、理想追求和精神归宿的问题，并尝试在当代世界中寻找它们的位置。贾蔼力最有代表性的艺术语言就是显著的异化感和超现实的荒诞感，透过一股强烈的精神气场存在于完美与缺陷之中，以及介于理想与现实之间。

贾蔼力的《哈利路亚》维持个体化和内省的方式，讨论着我们所处的这个世界，正无望地朝向精神终结推移。他那同时清澈而又暧昧的语汇，就彷如介于个体和历史、进步和颓败之间的悖论。他用阴郁而深奥的语言，阐释了无论何种价值判断都不过只是相对关系。

以本展作为站台中国在香港的起点，贾蔼力的作品提供了一抹如何思考「信」的微光。同时，站台中国也意图通过这个展览，呈现我们香港新空间的重要特征——作为一种新形态的空间模式，专注发展更具创意和灵活性的艺术实践与沟通平台。

Platform China HK’s inaugural show features a new project by leading Chinese artist Jia Aili titled “Hallelujah”, an event specific work combining painting and installation to present a unique aesthetic of its genre.

Genius of his age, Jia Aili emerges from a younger generation of artists whose investigations develop and foster existential issues regarding the individual and society at large. Through his extraordinary pictorial creativity and his ability of developing alternative artistic techniques, Aili is seeking for perfection and a sense of belonging, while trying to find his position in the contemporary world. Jia Aili’s artistic language is characterized by an evident discrepancy, a tension between perfection and imperfection, between realism and imperfect realism. The depth of his art is evident in the absurd hyperrealism and feeling of alienation that often conveys.

Jia Aili’s “Hallelujah” addresses to the world around while remaining personal and introspective; the simultaneous bluntness and ambiguity of the work epitomize the relationship between the individual and his history, between progress and decay, moving towards a hopeless end of the spiritual world.  The darkness and profundity of his language is nothing more than a state of being of which any judgment is nothing but relative.

Inaugurating the beginning of Platform China in Hong Kong, Jia Aili’s work offers a glimmer for thinking: “belief”. It also highlights the new and alternative direction of the gallery, the focus of which aims to evolve around innovative formats of creative production and critical communication of art practices.