初夏时节，万物葱郁之时，凯旋即将为观者呈现由张凯、孙轶、李天易、么（yāo）红岩四位年轻艺术家参加的“非·常境——青年艺术家联展”，展覧将由2012年5月19日持续至6月10日。

张凯是一位偏好挪用手法的艺术家，他通过将“猫”、“兔”的形象与古典油画图式并置或对原图像中的人物形象置换，产生新的作品意义，经他古典写实手法的刻画，造型呈现出雕塑般的简练和概括，卡通化的“猫”和“兔”形象，被赋予人格化的特征，时而感伤、时而忧郁、时而高雅、时而孤独，庄重而优雅，整个画面弥散着静谧的气息。

孙轶的画面丰富多彩，每一个小细节都充满了趣味，画中的人物与场景，熟悉而陌生，具有荒诞意味。对生活片段的捕捉与思考，使他笔下的世界游走于现实与虚幻之间。看似美好而和谐的画面中，充斥着暴力、危机、情色等隐喻元素，这种矛盾的对比性使画面本身充满张力。孙轶通过明快的色调和卡通的人物形象，将自身的不美好情绪散落在画面中，以一种美好和谐的方式进行表达。

李天易的作品机械而有节奏感，人物形象概括，具有概念性。被弱化了五官和“大眼人”的人物形象被脱去了表情的外衣，外在的机械感与内在的灵魂形成对比。这种欢快的荒诞和带有黑色幽默的画面呈现，成为艺术家情感转换与抒发的表达方式，也是艺术家希望能够重塑时间意愿的实现。

充满神秘气息的蓝色海洋与受伤惊恐的海洋动物构成了么红岩创作的主题。在他的作品中，水中弥散开来的丝丝血迹，似乎成为海洋动物对人类暴行的无声诉求。暴力、血腥这些强有力的因素与静谧而深邃的蓝色海洋形成的冲突矛盾空间，更成为人类无限膨胀的欲望与其他物种和自然冲突的真实写照。

Early summer, luxuriantly green season, Triumph will present an up and coming artist group show, Never · land, including paintings from Zhang Kai, Sun Yi, Li Tianyi and Yao Hongyan. From May 19 to June 10, it will bring you to the Never Never Land to meet the habitants.

Zhang Kai paintings are the perfect fusion of classical techniques and individualized personification. For him, appropriation is a good way of expression. In such a subtle balance, the artist forms a mellifluous atmosphere by which he breaks down barriers that separate imagination and real world to build a maze of artistic language. In the hustle and bustle of city life, Zhang Kai tries his best to create a Pure Land in his paintings, his inner world where he can live in solitude and serenity. It is his faith to art that is conveyed from the exquisite images in his painting, no crazy youth, but innocence and tranquility.

Sun Yi doesn't ignore any space in his paintings. He paints many things which are seemingly totally irrelevant to surprise his viewers. Inclined buildings, floating castles, ambiguous tomatoes, poker face kings, sexy queens, and the dynamic background of clouds(maybe smoke?), are all related to each other under Sun Yi's brush. Sun Yi is a member of the first generation after reform and open policy. With the fast internationalization of China, many foreign culture and art trends surprised and influenced China on a large scale, like a fast-moving river, left its trace in the after 80s generation's life.

Li Tianyi's works are mechanistic and rhythmical. The summarized figures are very conceptual. Weakened facial features and big eyes endow the figures in his painting with strong contrast between mechanistic appearances and inner spiritual world. This joyful absurd and black humor are the main approaches by which the artist expresses his feelings, as well as fulfills his will to reshape time.

Mysterious blue undersea world and wounded and scared sea animals combine the theme of Yao Hongyan's paintings. The filamentous blood diffusing in water seems to be animals' silent denounce to human beings' violence. The contrast between violence, blood, these powerful elements and the serenity and remoteness of undersea world reflects the conflict between human desire and nature.