As a form, although deprived of facial features and expressiveness, with their gently inclined heads, they convey a certain thoughtfulness, even sadness. Their natural history, as we see from He Canbo's most recent work, is to pass their light substance into their surroudings, thus becoming an abstraction, a sign strangely reminiscent of the last letter of the Greek alphabet:omega. They have apparently reached the end of their road but contain in themselves a potential for a new beginning(“I am the alpha and omega, the beginning and the end...”)

——2010年 Rasko（英国哲学博士、社会学及心理专家）

面对何灿波的作品，似乎听他在说：让我以隐喻的名义把人作为象征吧。人与万物和神灵的混沌意象编织在灿波的图像中，这是人替代上帝的造物叙事。

——策展人：柴中建（著名策展人、建筑批评家、艺术批评家）
2010年6月于北京